I graduated from High School near Bellingham Washington in 1977 with a strong emphasis on the arts, english and Math. The next 4 years were far from institutions of higher learning working on the high seas as a commercial fisherman in Alaska. It was there that I became familiar with a unique form of ivory that endangered no living creatures, that of the Wooly Mammoth and Mastodon. This began in the late 70's and I gradually became a part time creator of jewelry crafting "scrimshaw" as a working hobby (etchings/engraving scenes on polished ivory). More on this later....
Returning to education at Western Washington University for a year, with emphasis on sustainable architecture, mechanical drawing, fine woodworking (musical instrument construction) among other interests. Oddly, I shunned the art instruction in higher education, preferring experiential artistry in the "real world".
1981 was the year that found me leaving my home in the Northwest, and heading to Lincoln Nebraska, to team up with a wonderful artist friend, Jay Tschetter. We embarked on a fruitful collaboration based on the creation of fine art jewelry and art pieces based on the combination of exotic woods and fossilized ivories which we named "Ebony & Ivory" The culmination of this artistic union resulted 2 years of national tours from the Midwest to Florida and Nantucket Island.
After a particularly successful Summer on the South Wharf of Nantucket harbor in 1984, I peered across the Atlantic, straining for a glimpse of Ireland, a mystical place in my imagination as the homeland of my unknown ancestors. I could not quite glimpse the misty green shores of that unknown place, and decided (over a pint) to go check it out for myself.
I went to the Boston airport with a new backpack, tent, and boots, and enough money and gumption to wait in line for a standby ticket to England. Well, it all worked out as things sometimes do when they are supposed to, and I found that once distant mystical Isle via plane, train and ferry. The inspirations and events of that trip are too numerous to mention, but suffice it to say it was a voyage of the life changing variety. The people, music, community, history, sacred sites, and culture of Ireland touched me deeply, and became a vital part of who I am today. Following a recommended trip to see the "Book of Kells", (an Irish illuminated manuscript circa 600-900 AD) at the Trinity College in Dublin, which sealed my fate as an artist who had discovered a new path to explore converging art, history, and personal expression.